Drawing 2 – Investigating drawing – Stuart Brownlee – 512319
Part Two: Material Properties
Bibliography
Texts
Arthur, A. (2018) ‘Scotland the dump’. [Map] In: Bella Caledonia, Saturday April 7, pp. 3, 12 & 13.
Berger, J. (2009) Ways of seeing.[e-book] London: Penguin Group UK. (Berger, 2009).
Bryson, N. (2013) Looking at the overlooked: four essays on still life painting. [e-book] London: Reaktion Books.
Charles, V., Manca, J., McShane, M., and Wigal, D. (2014) 1000 paintings of genius. [e-book] Parkstone Press.
Collings, M. (2006) This is modern art. United Kingdom: Weidenfeld Nicolson Illustrated.
Cousins. M. (2017) The story of looking.Edinburgh: Canongate. (Cousins, 2017).
Danchev. A. (ed.) (2011)100 Artists’ manifestos. [e-book] London: Penguin Books.
Davidson, M. (2014) Contemporary drawing: Key concepts and techniques.[e–book] New York: Watson-Guptill Publications.
Dexter, E. (2005) Vitamin D: new perspectives in drawing. London: Phaidon Press.
Downs, S. and Staff, T. (2007) Drawing now: Between the lines of contemporary art.Edited by Downs. London: I. B. Tauris.
Eames, A. (1998) ‘From drawing to computing and back again’.In: Tracey | Journal:Drawing across boundaries.(September 1998), p.2.
Edwards, B. (2000) The new drawing on the right side of the brain. United States: Penguin Group.
Foster, H. Krauss, R.E. and Bois, Y-A. (2004) Art since 1900: modernism, antimodernism and postmodernism. London: Thames & Hudson.
Garner, S. (ed.) (2008) Writing on drawing: essays on drawing practice and research. [e-book] Bristol: Intellect Books.
Godfrey, T. (2014) Painting today. London: Phaidon Press.
Gompertz, W. (2012) What are you looking at? 150 years of modern art in the blink of an eye.[e-book] London: Viking.
Grovier, K. (2015) Art since 1989. [e-book] London: Thames & Hudson.
Heartney, E. (2013) Art & today. London: Phaidon Press.
Hind, C.L. (2015) The drawings of Leonardo da Vinci. [e-book] South Australia: University of Adelaide.
Hoptman, L.J. (2002) Drawing now: Eight propositions.3rd edn. New York: The Museum of Modern Art.
Kaupelis, R. (1992) Experimental drawing, 30th anniversary edition: Creative exercises illustrated by old and new masters.New York: Watson-Guptill Publications Inc.
Kentridge, W. and Morris, R.C. (2017) That which is not drawn: conversations.Calcutta: Seagull Books.
Maslen, M. and Southern, J. (2011) The drawing projects: An exploration of the language of drawing.London: Black Dog Publishing.
Perry, C., Cashdan, M., Krause, C. (2013) Vitamin D2: new perspectives in drawing.London: Phaidon Press.
Petherbridge, D. (2010) The primacy of drawing: histories and theories of practice.2nd edn. New Haven: Yale University Press.
Petry, M. (2013) Nature morte: contemporary artists reinvigorate the still-life tradition.Farnborough: Thames & Hudson.
Richards, K. M. (2008) Derrida reframed – interpreting key thinkers for the arts.New York: I.B.Tauris & Co Ltd.
Sabri-Tabrize, G.R. (1973) The ‘Heaven’ and ‘Hell’ of William Blake. London: Lawrence and Wishart.
Sawdon, P. and Marshall, R. (eds.) (2012) Hyperdrawing: beyond the lines of contemporary art (Tracey). [e-book] London: I.B. Tauris & Co.Ltd.
Schneider, N. (2003) Still life. Germany: Taschen.
Williams, A.R. (ed.) Drawing: the complete course. [e-book] New York: Drawing Magazine.
Wolf, R.R. (ed.) (2013) Strokes of genius 6: The best of drawing: Value: Lights & Darks.[e-book] United States: North Light Books.
Yee, L. (2015) Magnificent Obsessions: The Artist as Collector. Germany: Prestel.
Young, C. (2007) Drawing drapery from head to toe. United States: Dover Publications.
Online/Media
Engela Eames
http://www.angelaeames.com/
https://www.all4drawing.com/who-with http://www.baacorsham.co.uk/whosartnow.htm https://www.interaliamag.org/interviews/spatial-manoeuvres-the-drawings-of-angela-eames/
Eames, A. Cataract#3 [Archival print, 15”x15’ unframed] Available at: https://www.angelaeames.com/planet [Accessed: 3 March 2018].
Eames, A. Clearing. [Archivally printed on stretched canvas]. Available at: https://www.angelaeames.com/veils [Accessed: 3 March 2018].
Eames, A. Final Fusion #1. [Graphite on paper on stretched canvas]. Available at: https://www.all4drawing.com/who-with [Accessed: 13 March 2018].
Eames, A. Final Fusion #4. [Digital drawing on paper on stretch canvas]. Available at: https://www.angelaeames.com/amalgams [Accessed: 3 March 2018].
Eames, A. Light side of the moon. [Framed archival print on Dibond, 20.5”x20.5”] Available at: https://www.angelaeames.com/planet [Accessed: 20 March 2018].
Eames, A. (2004) Making it up ink. [Inkjet print on canvas on stretcher, 154x154cm]. In: Downs, S. and Staff, T. (2007) Drawing now: between the lines of contemporary art. [e-book] Edited by Downs. London: I. B. Tauris.
Eames, A. (2016) Self portrait, miniature. Available at: http://www.angelaeames.com/ [Accessed: 3 March 2018].
Atwood, M. The Handmaid’s Tale. Available at: https://www.goodreads.com/quotes/search?utf8=✓&q=What+I+need+is+perspective&commit=Search [Accessed: 20 March 2018]
Close, C. (2004-5). Self portrait. [Oil on canvas]. In: Godfrey, T. (2014) Painting Today. London: Phaidon, p.400 and image p.403.
Michael Borremans
http://www.zeno-x.com/artists/MB/michael_borremans.html https://www.apollo-magazine.com/the-modern-mysteries-of-michael-borremans/
https://www.artsy.net/artist/michael-borremans http://www.artnet.com/artists/michaël-borremans/ https://theculturetrip.com/europe/belgium/articles/micha-l-borremans-haunted-canvasses/ https://artreview.com/features/may_2015_feature_michael_borremans/ https://www.moma.org/artists/25181 https://newamericanpaintings.com/blog/one-question-michael-borremans
Borremans, M. (2002) A Mae West experience. [Pencil and watercolour]. In: Dexter, E. (2005) Vitamin D: new perspectives in drawing. London: Phaidon Press, pp.34-35.
Borremans, M. (2015) Black mould/the dance. Courtesy Zeno X Gallery, Antwerp/David Zwirner, New York, London; © Michaël Borremans; photo: Dirk Pauwels. Available at: https://www.apollo-magazine.com/the-modern-mysteries-of-michael-borremans/ [Accessed: 13 March 2018].
Borremans, M. (2003) Four fairies. [Oil on canvas]. In: Godfrey, T. (2014) Painting today. London: Phaidon Press, p.202.
Borremans, M. (2008) Man with bonnet. [Oil on canvas]. Available at: http://julietartmagazine.com/en/michael-borremans-sweet-gets/and https://lauraraborn.wordpress.com/tag/michael-borremans/ [Accessed: 16 March 2018].
Borremans, M. (2013) The Angel. [Oil on canvas]. Available at: https://www.apollo-magazine.com/the-modern-mysteries-of-michael-borremans/ [Accessed: 13 March 2018].
Borremans, M. (2009) The Apron. [Oil on canvas]. In: Phaidon Editors (2011) Vitamin P2: new perspectives in painting.London: Phaidon Press, p.50.
Borremans, M. (2007) The Glaze. [Oil on canvas]. In: Phaidon Editors (2011) Vitamin P2: new perspectives in painting. London: Phaidon Press, p.53.
Borremans, M. (2009) The Pendant. [Oil on canvas]. In: Phaidon Editors (2011) Vitamin P2: new perspectives in painting. London: Phaidon, p.51.
Borremans, M. (2001) The Preservation. [Oil on canvas]. Courtesy Zeno X Gallery, Antwerp/David Zwirner New York, London; © Michaël Borremans; photo: Peter Cox. Available at: https://www.apollo-magazine.com/the-modern-mysteries-of-michael-borremans/ [Accessed: 13 March 2018].
Borremans, M. (1999) The Prophecy. [Oil on canvas]. Available at: https://www.artsy.net/artwork/michael-borremans-the-prophecy [Accessed: 14 March 2018].
Borremans, M. (2002) Terror watch. [Pencil and watercolour]. In: Dexter, E. (2005) Vitamin D: new perspectives in drawing. London: Phaidon Press, pp.34-35.
Borremans, M. (2002) The (Courmajeur) Conducinator. [Pencil and watercolour]. In: Dexter, E. (2005) Vitamin D: new perspectives in drawing. London: Phaidon Press, pp.34-35.
Borremans, M. (2003) The rotator. [Pencil and watercolour]. In: Dexter, E. (2005) Vitamin D: new perspectives in drawing. London: Phaidon Press, pp.34-35.
Borremans, M. (2001) The swimming pool. [Pencil and watercolour]. In: Dexter, E. (2005) Vitamin D: new perspectives in drawing. London: Phaidon Press, pp.34-35.
Magritte, R. (1937) La Reproduction interdite. Available at: http://collectie.boijmans.nl/en/object/4232/la-reproduction-interdite-verboden-af-te-beelden/rene-magritte [Accessed: 25 March 2018].
Jim Shaw
https://www.simonleegallery.com/artists/jim-shaw/– video of a talk hosted by the Simon Lee Gallery, London, 21 November 2015, to coincide with Jim Shaw’s solo exhibition at the gallery 19 November 2015 – 9 January 2016
http://www.simonleegallery.com/Artists/Jim_Shaw/Selected_Works https://www.artsy.net/artist/jim-shaw
http://www.artnet.com/artists/jim-shaw/ https://www.theguardian.com/lifeandstyle/2000/sep/16/weekend.oliverbennett https://www.interviewmagazine.com/art/jim-shaw-the-end-is-here https://www.moma.org/artists/7968
http://www.metropictures.com/exhibitions/1991-09-12-jim-shaw/
http://www.metropictures.com/exhibitions/olaf-breuning-jim-shaw-cindy-sherman/selected-works?view=slider
http://fictive.arts.uci.edu/o-ism
http://comicsalliance.com/tribute-wayne-boring/
http://www.supermanartists.comics.org/superart/wayneboring.htm
https://www.thetimes.co.uk/edition/news/uk-locates-source-of-salisbury-nerve-agent-nx8p39kqv
Shaw, J. (2013) Study for “The golden age”. [Pencil and ink on paper]. Available at: https://www.simonleegallery.com/artists/38-jim-shaw/works/5024/ [Accessed: 3 March 2018].
Shaw, J. (2017) Untitled. [Acrylic on wood panel]. Available at: https://www.simonleegallery.com/artists/38-jim-shaw/works/7769/ [Accessed: 3 March 2018].
Blake, W. (1795 –c1805) Nebuchadnezzar. [Colour print, ink and watercolour on paper]. Available at: http://www.tate.org.uk/art/artworks/blake-nebuchadnezzar-n05059 [Accessed: 12 March 2018].
Blake, w. (1794) The marriage of heaven and hell 24. [Relief and white line etching, with colour printing and hand colouring]. Available at: https://www.themorgan.org/collection/William-Blakes-World/159 [Accessed: 12 March 2018].
Gorgy, A. (2009) Again…seeing art anew – Rumi to Picasso. Available at: http://www.adelgorgy.com/AdelGorgyPhoto/agorgy/024gorgy.html [Accessed: 18 March 2018].
Schiele, E. (1913) The truth unveiled. [Gouache, watercolour and pencil]. In: Fischer, W. G. (2006) Egon Schiele 1890-1918: desire and decay. Köln: Taschen, p.158.
Cornelia Parker
http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=691360&partId=1&school=13279&page=5
http://www.tate.org.uk/art/artists/cornelia-parker-2358
http://www.tate.org.uk/art/artworks/parker-thirty-pieces-of-silver-t07461 http://www.artnet.com/artists/cornelia-parker/poison-and-antidote-drawing-T0ze1YuCN1w2XGmmHPfE5A2
http://tworooms.co.nz/exhibitions/cornelia-parker/
https://www.theguardian.com/artanddesign/2008/feb/12/art.climatechange
https://seanfergus.wordpress.com/2014/04/17/cornelia-parker/
Parker, C. (1991) Cold Dark Matter: An Exploded View. [Wood, metal, plastic, ceramic, paper, textile and wire]. Available at: http://www.tate.org.uk/art/artworks/parker-cold-dark-matter-an-exploded-view-t06949 [Accessed: 23 April 2018].
Parker, C. (1997) Mass (Colder Dark Matter). [Burnt wood, wire and string].Phoenix Art Museum. Available at: http://www.artpace.org/works/iair/iair_summer_1997/mass-colder-darker-matter [Accessed: 23 April 2018].
Parker, C. (1997) Poison drawing. [Snake venom and ink]. Available at: http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=691360&partId=1&school=13279&page=5 [Accessed: 20 April 2018].
Parker, C. (2009) Poison and antidote drawing. [Rattlesnake venom, ink, anti-venom on card] Available at: http://www.artnet.com/artists/cornelia-parker/poison-and-antidote-drawing-T0ze1YuCN1w2XGmmHPfE5A2 Accessed: 20 April 2018].
Parker, C. (2010) Poison and antidote drawing. [Rattlesnake venom and black ink, anti-venom and white ink]. In: Maslen, M. and Southern, J. (2011) The drawing projects: an exploration of the language of drawing. London: Black Dog Publishing.
Parker, C. (1995) The Maybe. [Performance or installation]. Available at: https://theartstack.com/artist/cornelia-parker-and-tilda-swinton/maybe?product_referrer_user_id=429612816 [Accessed: 23 April 2018].
Parker, C. (1998-9) Thirty pieces of silver. [Silver and copper wire]. Available at: http://www.tate.org.uk/art/artworks/parker-thirty-pieces-of-silver-t07461 [Accessed: 23 April 2018].
Landseer, Sir E. (c1851) The Monarch of the Glen. [Oil on canvas]. National Galleries of Scotland. Available at: https://www.nationalgalleries.org/art-and-artists/159116/monarch-glen [Accessed: 29 April 2018]
General
Farthing, S. (2014) “Drawing” [Video lecture] Available at: https://www.youtube.com/watch?v=9ZBYJM659rU [Accessed: 17 January 2018].
Jerwood Drawing Prize 2011 “The primacy of drawing …in a time of unprecedented freedom and experimentation” [Video] In conversation – Director of the Whitechapel Gallery, Iwona Blazwick and artist, writer and curator Deanna Petherbridge. Available at: https://vimeo.com/30778916 [Accessed: 14 January 2018].
Drawing 2 Part 2 Bibliography [download as pdf]
Stuart Brownlee – 512319
7 May 2018
Stuart Brownlee - OCA 512319 